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I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you:> BRUSHES Pencil I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes. Ink Pen Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles. Round Brush The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all.

I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without. Flat Brush A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.

Watercolor Best used for smooth blending, washes, gradients, and smoky atmospheric effects. Cloud Basically a grittier version of the watercolor tool, because too much smoothness weird me out.

Paint Tool SAI crack allows users to unleash their creative abilities. The software includes essential but excellent features like air brushes, coloring brushes, pencils, watercolors, etc. However, the difference is in the efficiency and user-friendliness of this program.

Good for clouds and fog, as the name suggests, or just less boring gradient fills. TEXTURE OVERLAY To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always, which I scanned and edited myself. You’re all welcome to use it, no permission required! Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. Want a more prominent texture?

Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity.

You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Panzer general scorched earth patch. Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety. Hope that helps! -L • • • • •.

One invaluable program in my repertoire is a strange little painting tool from the land of and: Japan. Unlike American comics, which take their time inking with heavy, shapely lines and large pools of black and color panels to make pictures readable, Japanese manga is generally done in black&white and is hundreds of panels long, and since no color will be applied requires a very fine attention to creating thin, perfectly readable line art quickly.

Drawing these lines is an incredibly difficult and arduous process – one that aspiring artists go to school to master and then do for years tracing over a manga artist’s sketches before ever dreaming of drawing something of their own. Sound like fun? In comes Easy Paint Tool SAI, an awesome line art tool from tiny developer Systemax, who apparently still exist, but you could be fooled by their website. It may not compare to the professional hand-drawn techniques used by manga artists and their tireless teams of assistants, but thanks to a few ingenious tools, it can provide editable, pixel perfect line art quite quickly and much more easily than other vector-based art programs. As far as I can tell, the software has never been officially translated into English,.