While Black Fuzz, recorded for 's Sony-distributed boutique label, remains unreleased, return to Ubiquity, the independent that released the trio's first 12' single, for their first 'proper' album. Although it is only a little more focused and unified than 2007's -- none of which was recorded for the purpose of a standard album -- benefits from its sprawl, and that's because don't really do tight, straightforward, and concise. They're polyglot space cadets, filtering their love for synth funk, ambient soul, and Afrocentric avant-garde jazz through left-field hip-hop, from contortions of low-booming G-funk to dazed drum loops as doped-out as anything on Stones Throw.

Photos: Veterans Day ceremonies across the country. Photos: 12 killed in Thousand Oaks, California, bar shooting. Photos: Thousands attend vigil after deadly. The sa ra creative partners nuclear evolution the age of love shared files: Here you can download the sa ra creative partners nuclear evolution the age of love shared files that we have found in our database.

Joined by a shifting, female-dominated array of vocalists (including, who returns the favor for 's contributions to ), they offer their advanced, off-center R&B with oblique hooks and sonic tricks that burrow at varying rates of speed. Little of it produces an instant rush, but the surfaces are entrancing enough to practically demand fevered sifting and gradual absorption. At the onset, much of, like 's scattered past work, sounds like inscrutable otherness, almost as out-there as extreme psychedelic music. After several listens, all the squeaking synthesizers, skittering percussion, high-pitch group choruses, and seemingly slapdash layers of electronic and acoustic elements come into relative focus. Lyrically, their range has not expanded: spiritual consciousness, graphic depictions of drug-dependent prostitutes and the men who take advantage of them, a little old-fashioned heartache, getting high and screwing.

Line to line, they can switch from comic candor to cosmic weirdness -- 'Girl as long as I been knowin' you/I been trying to bone you/Tell me what we gone do/Pump you up with gas.and up and away,' for instance. Opened with frisky bossa nova and closed with mellow interstellar jazz (featuring 's gorgeously singing alto sax), the album provides 70 minutes of 2009's most challenging, sonically adventurous music. [Initial copies of the album came with a second disc containing tracks from the group's 2004 12' for Ubiquity, as well as their cover of 's 'Just Like a Baby,' reprised from the label's compilation.

'Double Dutch (Co Co Pops)' comes from the most demented blacktop scene imaginable, while the ecstatic 'Death of a Star (Supernova),' featuring, does the spirit of / proud.]. Fiery sequence impose cracked.

The SA-RA Creative Partners™ is a trio of accomplished musicians, producers and trendsetters, comprised of Om'Mas Keith, Taz Arnold and Shafiq Husayn. On their musical quest they have dazzled with amazing productions, collections, mixes and remixes. But now, for the first time, with Nuclear Evolution: The Age of Love, they deliver a completely new and original album.

Built from scratch, it's a truly coherent and innovative body of work. Musical, adventurous, and even more evolved than anything they've done before, Nuclear Evolution also shows a controlled, polished, and in-the-pocket side to their work. It is an album on which SRCP™ shine as the innovative musical force they promised to be, ever since the cult hit 'Glorious' first shattered bass bins and minds worldwide. Whether on the otherworldly opus 'Love Czars,' the bombastic soul of 'I Swear,' or twisted tales of drug-fueled-freaks on 'Traffika,' Nuclear Evolution: The Age of Love blends next-level production with a unique and unconstrained blend of street wit, dirty-sex talk, tall stories, and intergalactic future sounds, and is set to become essential listening for the summer of 2009. It's an over-used phrase that a band has a unique sound. But The SA-RA Creative Partners use their three minds to combine and make something that is always new, something twisted, a sound not heard before.