Cinesamples Piano In Blue V2

Cinesamples Piano In Blue V2 Rating: 8,7/10 8685 reviews

وی اس تی، خرید وی اس تی, فروشگاه vst, فروش وی اس تی، خرید vst، فروش vst، نرم افزار ساخت موزیک,فروشگاه تخصصی vst, فروشگاه نرم افزار ساخت موزیک,خرید پستی وی اس تی, خرید اینترنتی وی اس تی, فروش پستی vst, فروش اینترنتی vst پرداخت در منزل. Cinesamples has released version 2.2 of Piano in Blue, a 1949 Steinway D piano instrument library for Native Instruments Kontakt.

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I have always had a love/hate thing with this library. The piano, process, and history if Clinton Recording (rip) and Columbia Records, Kind OF Blue, etc. Has always fascinated me. BUT, I have always had a issue with the library's playability and infamous noise buildup issue. I'm just upgrading from V2 to V2.2 this weekend so forgive me if I'm missing anything obvious. But a recent conversation started with another forum member reignited a bit of interest along with the fact that quite a few people still name it as there favorite VST piano. I played it a bit last night again and said to myself, there are some things to really like about this piano.

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What are some of the things you do such as editing the velocity curve, mic mixing, tape/sample start, built in verb or external vst and additional plugins like EQ's, comps, etc. To make it better? I use a 88 note weighted controller. I've owned Piano in Blue for over 12 months, and find there is a certain elusive quality to it that I can't find in any other of the dozens of sampled pianos I own. When I get the right combination of mic & velocity settings (for me, usually 100% Close + 50% Surround, with the left velocity dial at 9 o'clock & the right at 2 o'clock - using a Yamaha CP4 stage 88 key triple sensor weighted action) and matched to a suitable musical piece and context, it's wonderful, soulful & authentic to my ears. A very lyrical piano with which I can make a melody line really sing, and the bass is rich & deep without the boominess of some sampled pianos.

Cinesamples piano in blue v2 free

I mostly use a moderate amount of the built in Amsterdam hall reverb, but an external EQ where I pull down some frequencies around 250Hz & 800Hz, to clean up some 'mud' a bit. I have always had a love/hate thing with this library. The piano, process, and history if Clinton Recording (rip) and Columbia Records, Kind OF Blue, etc. Has always fascinated me. BUT, I have always had a issue with the library's playability and infamous noise buildup issue. I'm just upgrading from V2 to V2.2 this weekend so forgive me if I'm missing anything obvious.

But a recent conversation started with another forum member reignited a bit of interest along with the fact that quite a few people still name it as there favorite VST piano. I played it a bit last night again and said to myself, there are some things to really like about this piano. What are some of the things you do such as editing the velocity curve, mic mixing, tape/sample start, built in verb or external vst and additional plugins like EQ's, comps, etc. To make it better?

I use a 88 note weighted controller. I have always had a love/hate thing with this library. The piano, process, and history if Clinton Recording (rip) and Columbia Records, Kind OF Blue, etc. Has always fascinated me. BUT, I have always had a issue with the library's playability and infamous noise buildup issue. I'm just upgrading from V2 to V2.2 this weekend so forgive me if I'm missing anything obvious.

But a recent conversation started with another forum member reignited a bit of interest along with the fact that quite a few people still name it as there favorite VST piano. I played it a bit last night again and said to myself, there are some things to really like about this piano. What are some of the things you do such as editing the velocity curve, mic mixing, tape/sample start, built in verb or external vst and additional plugins like EQ's, comps, etc. To make it better? I use a 88 note weighted controller.